THANKS in large part to the MAY WE ALL GROW UP TO BE CHILDREN exhibition at the elegant Nassau County Museum of Art and brisk sales at the METStore, the North American print run of THE BOY AND THE BOY KING has sold out. But there may still be copies available at the Metropolitan Museum’s store. And new books will be coming in next Fall for all other venues. THE BOY AND THE BOY KING is a co-creation of George H. Lewis and A.D. Lubow. The NCMA exhibition featuring George’s sumptuous illustrations was widely praised. In the words of the store manager: “We sold every copy of the book we could get our hands on.” Again, thanks. #nassaucountymuseumofart #themetstore#georgehlewis #adlubow#childrensbookillustration #tutankhamunexhibition#@aucp_press

The legendary Al Smith Dinner turned 80 this year. And we celebrated by conceiving and creating a handsome commemorative booklet, featuring five key speeches. Included in the book is an essay by Arthur Lubow. Here’s an excerpt:

A Time Capsule of American Political Discourse

by A.D. Lubow

Seven Sitting U.S. Presidents. Seven Future Presidents.  Ten Vice Presidents. Nine Candidates for the Presidency. Two retired Presidents.  Six Senators. Six Governors. Seven Generals. Three Admirals.  Seven Secretaries of State. One First Lady. A White House Chief of Staff. A Speaker of the House. A Director of the CIA. The head of NASA. The Secretary of Education. An Opera Diva. An FBI Director, a Supreme Court Justice, and a Presidential Representative to the Holy See. Over the course of the last 80 years, they’ve all spoken at the Al Smith Memorial Foundation Dinner. So have five Cardinals, four UN Ambassadors, seven major CEOs, seven Broadcast News Anchors and political commentators, two British Prime Ministers, a U.N. Secretary General and even a King.

The Dinner has also been graced by at least four of America’s funniest comedians. The number would be substantially higher if the attempts at comedy by most of the otherwise distinguished dignitaries were included. But, no joke, the standard is hysterically high. Bob Hope, Danny Thomas, Bob Newhart, Stephen Colbert and Jim Gaffigan have spoken. And by all accounts they were on their very best behavior. Even so, Bob Hope felt compelled to tell the audience that he’d never seen so many Catholics in one room not playing Bingo. Jim Gaffigan confided that he is Catholic because he truly believes… that is what his wife wants.

To the overall list of seriously accomplished speakers you can add a playwright, a screenwriter, a disciple of Franklin Delano Roosevelt, a protégé of Bernard Baruch, a member of the U.S. House of Representatives, a journalist, a fiction writer, a World War II correspondent, a major critic of colonialism, an editor of Vanity Fair, a diplomat and later in life, a major Conservative and Catholic philosopher. You can add all those distinct personages when you list the single name of the Honorable Clare Boothe Luce, because she was all those things. We’re featuring her Al Smith Foundation Dinner address in this booklet because, on the subject of scientific and social progress, it resonates today perhaps even more meaningfully than when it was first delivered 68 years ago.

Some of the most serious speeches don’t quite play so well nowadays. That’s because the passage of time and the hinge of fate have gotten rudely in the way of some of the more hopeful prognoses for the future. Some of the jokes don’t fare too well either. (Perhaps you just had to be there). But some of the laugh lines have aged like a fine bottle of wine and are just as funny today. Either way, every speech and every quip provide little bits of insight onto times past, and our times, too. Think of it all as a snapshot of modern American Presidential politics. You’ll enjoy a kind of timelapse overview of how rhetoric changes but the basic societal themes remain the same.

To read the rest of the article or see a PDF of the entire book, please contact us. The booklet contains speeches by Wiinston Churchill 1947), Dwight D. Eisenhower (1954), Clare Boothe Luce (1957), John McCain (2008) and Barack Obama (2008).

ON SUNDAY, NOVEMBER 2, Arthur Lubow gave an Author’s Circle Talk on the the exhibition MAY WE ALL GROW UP TO BE CHILDREN. The show is based on The Boy and the Boy King, the book he co-created with the painter, George H. Lewis. Today, we received this kind note from the NCMA staff:

“Thank you so much for speaking here today and for sharing your beautiful book, The Boy and the Boy King, with us. It is deeply moving and reminds us of the power of friendship and courage in complicated times. It inspires not only children but also speaks to adults about the importance of striving for peace. Thank you for bringing this meaningful story to the world. We are so grateful to have had this opportunity to exhibit the beautiful and enchanting paintings that illustrate this heartfelt and insightful story. We’re so happy it’s become a big success. Congratulations! Everyone was mesmerized!”

Arthur tells us that he never properly gauged the effect that The Boy and the Boy King has been having until after the NCMA talk. That’s when a five-year old boy clutching a copy that he brought all the way from home asked for an autograph. The child was followed by a teacher who requested 3 signed copies for her students, and numerous parents and grandparents. And then a marine biologist engaged Arthur in a discussion about the light and stardust that evolved into “us…we humans.” One of the Museum’s docents had some very kind words, too — about the ebullient reactions to our show that she hears each day on her gallery tours.

With 300 copies of the Boy and the Boy King sold at the NCMA store, and with the MetStore’s re-order in keeping with the popularity of the Divine Egypt exhibition, it looks as if our book has legs. Wouldn’t it be great to have the show at the new Grand Egyptian Museum in Cairo? The books is already carried in the GEM Store.

As Bun-Bun says: “MAY WE ALL GROW UP TO BE CHILDREN!”
Or, as Arthur’s wife puts it: “MAY MY HUSBAND GROW UP TO BE AN ADULT.”

It goes from Public Housing to the Metropolitan Opera House and from Washington Heights to the Heights of Washington.

In our film for Columbia’s 75^th Annual Alexander Hamilton Award Dinner, the honoree—financier and philanthropist George Van Amson (CC’74)—tells us: “116^th and Broadway is light years away from the Throgs Neck Projects.” And as the film dissolves to a shot of an elevated subway train heading for the distant land of Wall Street, the metaphor is clear. The real elevated train is the rarefied opportunity that is Columbia University. If anyone still needs proof that higher education is by far the best way of elevating individuals and society all at once, just listen to Mr. Van Amson’s story. Yes, he was given many opportunities. But the real drama of the story is that Van Amson is giving so much back. Admirers say that he is the best of all possible mentors. And what does he get in return?  Van Amson answers: “Well, I get everything from it. Everything.”

George Van Amson encapsulates his approach to philanthropy this way. “It’s easing the pain. And spreading the joy.” His work to combat community violence is easing the pain. His service as a trustee on the Met Opera board is spreading the joy.  There you have it. A life’s journey that started in public housing and ended up at The Metropolitan Opera House. By the end of our film, by all accounts, the gala attendees at the Hamilton Award Dinner were visibly moved.

A few weeks earlier, another New Yorker’s ascent was being chronicled. It was Henry Kissinger’s. He, too, made a dramatic life journey. His was from Washington Heights to the heights of Washington. Our film on Dr. Kissinger was being shown at the storied Al Smith Dinner at the Park Avenue Armory. Narrated by the brilliant speechwriter and Wall Street Journal columnist, Peggy Noonan, the film spoke about the friendly political jousting that has gone on at the Al Smith Foundation Dinner for nearly 80 years. We aptly titled the piece: “Making Peace with Ourselves,” a phrase from a speech that Dr. Kissinger delivered at the same dinner more than fifty years ago. At this October’s event, Kissinger mustered the strength to speak again. As it turned out, the interview we at M+/ADLubow did with Henry Kissinger for the film was likely the last one he gave in his life. But that’s another story.

Why is ADWEEK calling Amazon’s “Joy Ride” holiday commercial an Instant Classic? For affirmation, all you have to know is that Sir Paul Macartney personally approved the licensing of his song “In My Life.”

But the brilliance of the spot goes far beyond that. Before we say why, let us first say how proud we are that AD Lubow alumna Tessa Pauly has been key to developing the cohesive brand strategy that encouraged Amazon’s International Cross Channel Marketing team to produce this masterpiece.

When we at AD Lubow first opened our doors, our objective was to create “ADVERTISING THAT MOVES PEOPLE.” We followed up more recently with the mantra: “SAY LESS. TELL MORE.”  And all along the way, we advised our team that “advertising shouldn’t look like advertising. It should be part and parcel of the client’s product.” We’re proud to say that so many of our wonderful alumni and our successor firm M+ are out there putting these ideas into practice. Tessa Pauly is a stellar example.

Tessa tells us: “With JOY RIDE we’re aiming to create a lasting emotional connection with customers—one that we hope will increase mental availability for Amazon, which we know has a positive impact on the bottom line.”

That mental and emotional connection is certainly achieved by Amazon Creative Directors Josh Cassidy and Vince Feliciano. Look at all the storytelling they do in just 60-seconds without a single word. In less than a minute, you get the sense that the ladies in the spot have grown up and grown old together. And by the painful shrug of a shoulder, you see that old age isn’t always easy. By the end of the spot, however, all the discomfort of age is overridden by youthful joy. The spot is about as cheerful as it gets.

But here’s what sets the Amazon spot apart from so many other “feel good” holiday commercials, which often have little to do with the product. Beyond the joyful messaging here is a clear, pragmatic, unique selling proposition: the ability to order a product (and the resulting joy) with the touch of a button. It takes the lady in the spot barely a second to do it. And just like that, the product arrives.  How wonderful. This perfect creative execution goes way beyond “SAY LESS. TELL MORE.”  It’s more like: SAY LESS. SELL MORE. It’s ADVERTISING THAT MOVES PEOPLE…and PRODUCTS.

Quite an honor to have our book selected as a top holiday pick by no less than The Metropolitan Museum of Art. To find a copy of The Boy and the Boy King (and support the Met Museum at the same time) go to the MetStore at the Museum on 82nd Street or Amazon.

Rather than just drone on about books and advertising and the general state of things here on earth, we’d like to post two aerial videos shot and edited by Arthur Lubow as a volunteer for the Mountaintop Arboretum and Onteora Club.

Here is a shot of Hidden Marsh, a secret treasure reachable by a brief hike through the woods. It’s all part of the theme we developed for The Mountaintop Arboretum called “Nature’s Art: Performing Daily. Up after that, is a view of the new lakefront at Onteora Club.

We’re honored to say that The Boy and the Boy King can now be found in the Children’s Egyptian Books and Games section of the MetStore.

Since the George H. Lewis illustrations were originally conceived at the Museum’s Temple of Dendur, it’s as if the book has come home.

Based on the initial run, the MetStore has tripled its order.

An illustrated poem by A.D. Lubow inspired by the names of two lovers carved long ago in stone on a lonely mountaintop. Lovingly illustrated by Mei Li, a rising star in animation. Masterfully recited by the brilliant Welsh actor, Matthew Rhys.

For a private limited edition, click here.